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- 1. Multiple ChoiceWhich sub categories come under the concept of DURATION?Beat Rhythm Ostinato ChordsBeat Tempo Metre RhythmBeat Tempo Metre NotesBeat Metre Ostinato Rhythm
- 2. Multiple ChoiceDifferent types of beat can be categorised asStrong, Weak, Definite, IndefiniteStrong, Very Strong, Extremely Strong, FloydStrong, Weak, Very Strong, Very WeakIndefinite Rhythm, Indefinite Pitch, Definite Rhythm, Definite Pitch
- 3. Multiple ChoiceBackbeat emphasises beats 2 and 4 and is common in which genre of musicClassicalJazzRockFolk
- 4. Multiple ChoiceSwung rhythms and strong syncopation in melodic lines are common in…ClassicalJazzRockFolk
- 5. Multiple ChoiceMetre isThe grouping of beats in a piece of music – grouped in 2, 3, 4, etcThe grouping of instruments in a piece of music – grouped in 2, 3, 4, etcA measurement of lengthNot a footlong sub
- 6. Multiple ChoiceMetre is most commonly indicated byKey SignaturesBeatsRhythmsTime Signatures
- 7. Multiple ChoiceTime signatures of 2/4 and 6/8 differ in thatSubdivision of smaller rhythms in 2/4 is 4, and 6/8 is 8Subdivision of smaller rhythms in 2/4 is 2, and 6/8 is 3Subdivision of smaller rhythms in 2/4 is 2, and 6/8 is 6They look different
- 8. Multiple ChoiceMixed metre isMusic in which the time signature changes oftenMusic in which the time signature changes once or twiceMusic in which the time signature doesn't changeMetre that is mixed
- 9. Multiple ChoiceRhythmic ostinato isA constantly repeating rhythmic patternAn emphasis on the weak or off beatsTwo or more independent rhythms played simultaneously in different partsConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 10. Multiple ChoiceSyncopation isA constantly repeating rhythmic patternAn emphasis on the weak or off beatsTwo or more independent rhythms played simultaneously in different partsConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 11. Multiple ChoiceCross- rhythms areA constantly repeating rhythmic patternAn emphasis on the weak or off beatsTwo or more independent rhythms played simultaneously in different partsConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 12. Multiple ChoicePolyrhythms areA constantly repeating rhythmic patternAn emphasis on the weak or off beatsTwo or more independent rhythms played simultaneously in different partsConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 13. Multiple ChoiceRhythmic motif isA pattern that is restated by the same or a different instrument as a unifying featureRefers to a note that is played or sung before a strong beat — for example, a quaver before the first beat of a bar — anticipating the phraseA rhythmic fragment that is repeated in a piece of music either immediately or throughout the piece as a unifying featureConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 14. Multiple ChoiceAnticipation isA pattern that is restated by the same or a different instrument as a unifying featureRefers to a note that is played or sung before a strong beat — for example, a quaver before the first beat of a bar — anticipating the phraseA rhythmic fragment that is repeated in a piece of music either immediately or throughout the piece as a unifying featureConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 15. Multiple ChoiceImitation isA pattern that is restated by the same or a different instrument as a unifying featureRefers to a note that is played or sung before a strong beat — for example, a quaver before the first beat of a bar — anticipating the phraseA rhythmic fragment that is repeated in a piece of music either immediately or throughout the piece as a unifying featureConflicting rhythmic patterns played simultaneously (e.g. three against four) or conflicting metres (e.g. 4/4 against 6/8)
- 16. Multiple ChoiceWhen discussing tempo, what two things are important to note?Whether it is a constant tempo or whether it changesGraphic notation or traditional notationRhythm and MetreUsing terminology and having a sharp pencil
- 17. Multiple ChoiceWith changes in tempo, what 2 things can you discussUsing terminology and having a sharp pencilWhether it is a constant tempo or whether it changesWhether it is a gradual change or a sudden changeRhythm and Metre
- 18. Multiple ChoiceHow do you notate rhythm in an excerpt?Just don'tGraphic notation or traditional notationTraditional notationDraw a picture
- 19. Multiple ChoiceWhich subcategory of duration can you also talk about when discussing expressive techniques?BeatMetreTempoRhythm
- 20. Multiple ChoiceIf I make more of these will you
1. actually use them to revise or am I
2. wasting my time?1. Yes / 2. No1. No / 2. Yes - Answer choicesTagsAnswer choicesTags