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- 1. Multiple Choice
Complementary Colours are:
red & green / yellow & blue / orange & purple
red & yellow / purple & orange / blue & pink
yellow & purple / green & red / blue & orange
- 2. Multiple Choice
The opposite to representational colour is:
realistic
naturalistic
arbitrary
stylised
- 3. Multiple Choice
With a pyramidal composition, it's important to mention:
the angles of the triangle
the base of the triangle
the scale of the triangle
the apex of the triangle
- 4. Multiple Choice
What is composition?
the arrangement of objects in a painting
the symbolism of objects in a painting
the style of the painting
the scale of the objects in the painting
- 5. Multiple Choice
Area nearest the viewer in a composition is the
background
midground
foreground
- 6. Multiple Choice
The silhouette of the forms is created through the technique of:
Contre-jour
Quatre-jours
Impasto
Sfumato
- 7. Multiple Choice
What anchors the forms in the spatial plane of the painting?
Shadows
Having a fore/mid/background
Diminuation of scale
Chiaroscuro
- 8. Multiple Choice
What is the name of the place where orthogonal lines meet in linear perspective to create a realistic illusion of space?
The point
The dot
The vanishing point
- 9. Multiple Choice
The technique used to create this hand which appears to project out towards us, is known as:
Overlapping
Tona Modelling
Foreshortening
Linear Perspective
- 10. Multiple ChoiceWhat is the line that goes across the page where the "sky meets the land"?land linesky linehorizon line
- 11. Multiple Choice
This painting is a perfect example of...
Lighting
Symbolism
Contre-jour
Tenebrism
- 12. Multiple Choice
This shows a
cool colour palette
saturated colour
diminution of scale
gradation of tone
- 13. Multiple Choice
Which of these is NOT a point for colour?
Application of paint
chiaroscuro
spatial colour
palette
- 14. Multiple Choice
Which of these is NOT a point for light and tone?
Tenebrism
Symbolic/ atmospheric
linear perspective
highlighted/ concealed
- 15. Multiple Choice
Which of these is NOT a relevant point for composition?
foreshortening
focal point
harmony
static/ dynamic
- 16. Multiple Choice
Which of these is NOT a relevant point for space and depth?
overlapping
tonal modelling
shadows
open / closed
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