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- 1. Multiple Choice
Key Relationship - When two keys share the same key signature but are in different modes.
Enharmonically Equivalent
Relative
Distant
Parallel
- 2. Multiple Choice
Key Relationship - Two keys that are relative or within 1 key signature on the Circle of Fifths
Enharmonically Equivalent
Relative
Closely Related
Parallel
- 3. Multiple Choice
Key Relationship - Two keys that share the same tonic but are in different modes
Enharmonically Equivalent
Relative
Closely Related
Parallel
- 4. Multiple Choice
Key Relationship - Two keys that sound the same but have a different key signature. (HINT - It's not considered a modulation since you would not aurally be able to hear a difference.)
Enharmonically Equivalent
Relative
Closely Related
Parallel
- 5. Multiple Choice
A modulation that occurs through a shared diatonic chord
Common Tone Modulation
Monophonic Modulation
Common Chord Modulation
Altered Chord Modulation
- 6. Multiple Choice
True or False - A modulation and a key change are the same thing.
True
False
- 7. Multiple Choice
The difference between tonicization and a modulation is...
A secondary dominant
The key signature
Accidentals
Time
- 8. Multiple Choice
Which key is closely related to A MAJOR
F# Major
G Major
a minor
D Major
- 9. Multiple Choice
Click the closely related key to E MINOR
E Major
G Major
C Major
b minor
- 10. Multiple Choice
Which of the following is NOT a closely related key to Db MAJOR
Bb minor
Bb Major
c minor
f minor
- 11. Fill in the Blank
If two keys have no connective relationship (ex. relative, closely related, enharmonic), they are considered...
- 12. Multiple Choice
What is the relationship between F# MAJOR and Gb MAJOR?
Closely Related
Enharmonically Equivalent
Parallel
Relative
- 13. Multiple Choice
Which of the following chords is NOT diatonic in both C MAJOR and F MAJOR?
F-A-C
C-E-G
Bb-D-F
D-F-A
- 14. Multiple Choice
Which of the following chords is NOT diatonic in both Ab MAJOR and C MINOR?
C-Eb-G
Ab-C-Eb
D-F-Ab
Eb-G-Bb
- 15. Multiple Choice
In a major key, the most common way to modulate is from -
Tonic to Dominant (I-V)
Tonic to Subdominant (I-IV)
Tonic to Mediant (I-iii)
- 16. Multiple Choice
In a minor key, it is most common to modulate from -
Tonic to Dominant (i-V)
Tonic to Subdominant (i-iv)
Tonic to Mediant (i-III)
- 17. Multiple Choice
True or False - An altered chord can be used as a pivot chord in a modulation
True
False
- 18. Multiple Choice
What is the difference between a TONAL SEQUENCE and a REAL SEQUENCE?
Tonal keeps the integrity of the interval (M3, m3, etc.) regardless of the key signature, while Real just focuses on the numerical quality of the interval to maintain the key signature
Real keeps the integrity of the interval (M3, m3, etc.) regardless of the key signature, while Tonal just focuses on the numerical quality of the interval to maintain the key signature
- 19. Multiple Choice
In which type of modulation will you see a melodic and harmonic pattern repeated at various pitch classes?
Monophonic
Altered Chord
Common Tone
Sequential
- 20. Multiple Choice
A modulation that occurs between two keys which shares the same pitch.
Monophonic
Altered Chord
Common Tone
Sequential
- 21. Multiple Choice
A modulation that is carried by one single vocal line, or multiple parts playing in unison/octaves
Monophonic
Altered Chord
Common Tone
Sequential
- 22. Fill in the Blank
A modulation that occurs suddenly or after a cadence point
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