A backdrop setting can be defined as:

The fictional creating of a new world is called ____________.

A composite is _______________.

The act of placing something side by side for comparison is referred to as ____________.

When drafting any kind of fictional setting, you must always consider your ____________.

Sometimes, by juxtaposing a character, setting, theme, or idea _____________ to another for the purpose of comparison, contrast, or suspense, a writer can create mystery, joy, or relief without having to work very hard.

The relationship between location and character is very precise and will dictate your direction within the __________.

A narrative device where a scene from the past is pulled into the present is called a ______.

How the characters interact with the setting is going to create the ___________.

Successfully creating the tone of a story is often achieved by appealing to the reader's ____________.

Setting often becomes symbolic when contributing to the overall ___________.

It's easy to assume that _________ and setting are the same thing, but _________ is just one of the many elements of a powerful setting.

The development of setting has several moving parts such as ______, ______, ______.

Think about where your characters will ______ before sitting down to write.

When worldbuilding, start _________ because every concept you introduce that challenges our reality has to be fully explained.

A fictional world often has more than one ___________, or the state of things that actually exists.

____________also has tremendous impact on certain ____________, and there is no place where it is more essential than in Gothic fiction.

To help you consider how you will introduce information about time without coming right out and saying it, remember the mantra: _____________.

Characters are inextricably linked to their physical ____________.

Through your skillful use of ____________, the reader should be able to deduce when and where the story is taking place.

Before you even begin to conceptualize a setting for your story, you will need to consider the notion of _________.

Conveying the idea of time passing and finding a way to measure the length of the action relates to ________ time.

A ____________ is an ingenious way to show rather than tell, but it also provides a great deal of valuable insight for the reader.

Reversely from a flashback, a writer can also provide a ___________ where the reader is given a glimpse into what's to come and up the stakes of the plot.

Memories give characters ___________.

_________________ alludes to seasons that can convey wonderful layers of sensory information.

As it is described in fiction, setting is the time and place where a scene occurs.

For a setting to come alive, it's not important to include significant details of what a place and time looks like.

When drafting any kind of fictional setting, you do not need to consider your characters.

An integral setting is critical to the storyline.

Matching the fictional setting to the tone makes sense, but it's also predictable.

It is not possible for setting to become symbolic in contributing to the overall theme.

Setting is more than just a place.

When inventing physical locations, it is not necessary to rely on reality at all.

Time has very little impact on the story.

As characters move through their actions, time will inevitably pass.