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This is the generic term for mode, or system of composing melody in Arabic classical music. Used throughout the Middle East. Known as dastgah in Persian
Maqam
Iq'a
Monophony
Radif
One melody line is played simultaneously by all performers
Maqam
Monophony
Iq'a
Radif
Two or more performers play the same melody, but with small differences in timing or ornamentation
Maqam
Monophony
Heterophony
Radif
In Persian classical music, the body of music, consisting of 250-300 short pieces, memorized by students and then used as the basis or point of departure for improvisation. Ideally learned in three stages: simple, intermediate, complete
Maqam
Monophony
Heterophony
Radif
In Persian classical music, the subdivision of a maqam or dastgah and smallest part of the radif
Gusheh
Tahkt
Rai
Dervishes
An ensemble of musicians, often including violin, santour, ney and two drums, used to accompany singing and dancing in Arabic popular music
Gusheh
Tahkt
Rai
Dervishes
A popular music developed in Algeria and Morocco that combines traditional singing styles and Arabic modes with Western style synthesized accompaniment
Gusheh
Tahkt
Rai
Dervishes
In Turkish popular music, a traditional Middle Eastern sound symbolizing the Turkish people’s association with Islam and to older cultural traditions
Arabesk
Reng
Rai
Takht
Fast, composed instrumental dance-like piece. Loosely based on the radif
Arabesk
Reng
Rai
Takht
The most common Middle Eastern instrument is the oud, a lute with a large body and a short neck with no frets, plucked with a pick made of a feather quill. It is an ancestor of the European lute of the Renaissance
Oud
Tar
Setar
Nay
Lute with a long neck, frets, six strings. plucked with a pick, used in various parts of the Middle East, but principally in Iran, in classical but also folk and popular music
Oud
Tar
Setar
Nay
Smaller lute with frets, 3 or 4 strings, plucked with the nail of the index finger. Used in Persian classical music
Oud
Tar
Setar
Nay
An end blown flute used throughout the Middle East. Sometimes spelled ney, nei, or nai
Tar
Setar
Santour
Nay
Trapezoid-shaped hammered dulcimer, played with two balsa wood mallets, used throughout the Middle East but particularly in Iran and Turkey
Oud
Setar
Santour
Dombak or Zarb
Term used for various single-skin drums in the Middle East, but principally for the goblet-shaped drum used in Persian classical music
Oud
Setar
Nay
Dombak or Zarb
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