Traditional music of the Far and Middle East is largely

_____ is when a single voice takes over the melodic interest while the accompanying voices are subordinate

The procedure in which a melodic idea is presented in one voice and then restated in another is called

A _________ is a composition with strict imitation throughout

The second movement of Haydn's Symphony No. 94 (Surprise) is an example of

What quality of a work of art refers to its structure or shape?

The term__________ describes the technique whereby some aspects of the music are changed, yet the whole remains recognizable.

The technique through which performers create music on the spot is known as

The compositional technique whereby a composer searches out a theme's capacity for growth and expansion is known as

The smallest fragment of a theme that forms a melodic-rhythmic unit is called a

A singing style that features a leader who is imitated by a group is called

Monophony is a single-voiced texture

Traditional music of the Middle and Far East is typically polyphonic

The art of counterpoint is most closely associated with monophonic texture

"Homophonic" describes a single-voiced texture without accompaniment

In a polyphonic texture, the melody and harmony always move with the same rhythm

A canon is a type of round

Spirituals often depend on heterophonic texture

An example of polyphony is when a singer carries the tune against harmonic accompaniment on the piano

Improvisation is common in Western music, but not non-Western music.

A musical form based on a statement, a departure, and a restatement of the first idea is called binary form

Call and response style is common in African and Native American cultures

A short melodic, rhythmic, or harmonic pattern repeated throughout a musical work is called an ostinato.

A movement is a complete, comparatively independent division of a large scale work.

Strophic form is one of the most common in vocal music, both popular and classical.

Variation is one kind of form that falls between repetition and contrast