A line that does not stay at the edges but moves freely within forms. These lines record the movement of the eye as well as implying the motion in the form

a line which follows the interior and exterior edges of a form to differentiate it from other forms.

The appearance of height, width, and depth in a form.

The relationship between areas of light and dark

an overused expression or a predictable visual treatment of an idea

the surface upon which you draw or paint

A mental connection between two points or elements

helps to keep structure

Emphatic or superior in position, size, quantity, or character

Opposition of elements, a state of visual disagreement

agreement or superior in position, size, quantity, or texture

warm colors appear near, cool colors recede, but colors depend on their backgrounds

Opposition of elements, a state of visual disagreement

agreement or superior in position, size, quantity, or texture

Emphatic or superior in position, size, quantity, or character.

near things are sharp; distant things are blurry

warm colors appear near, cool colors recede, but colors depend on their backgrounds

evenly accented beats

rather than the shadow a solid object cast is the idea

movement indicated by regular reoccurrence or regular recurrence of strong and weak elements