20 questions
________ an actual or implied mark, path, mass, or edge, where length is dominant.
Line
Form
Texture
Color
the ____________ surface characteristics of a work of art that are either felt or perceived visually.
Line
Form
Texture
Color
a visual attribute of things that results from the light they emit or transmit or reflect.
Line
Form
Texture
Color
the volume and shape of a three-dimensional work, perhaps including unfilled areas that are integral to the work as a whole.
Line
Form
Texture
Color
the lightness or darkness of a color; contrasts between light and dark.
Value
Shade
Shape
Volume
the mass of three-dimensional shapes in space.
Value
Shade
Shape
Volume
a color produced by adding black to a pigment.
Value
Shade
Shape
Volume
an area which stands out from the space next to it or around it because of a defined boundary or because of a difference of value, color, or texture.
Value
Shade
Shape
Volume
a feeling of equality in weight, attention, or attraction of the various elements within a composition as a means of accomplishing unity.
Balance
Symmetrical Balance
Asymmetrical Balance
Proportion
can be described as having equal "weight" on equal sides of a centrally placed fulcrum.
Balance
Symmetrical Balance
Asymmetrical Balance
Proportion
It involves placement of objects in a way that will allow objects of varying visual weight to balance one another around a fulcrum point.
Balance
Symmetrical Balance
Asymmetrical Balance
Proportion
refers to the relative size and scale of the various elements in a design.
Balance
Symmetrical Balance
Asymmetrical Balance
Proportion
involves the use of patterning to achieve timed movement and a visual "beat".
Repetition
Alternation
Gradation
Emphasis
is a specific instance of patterning in which a sequence of repeating motifs are presented in turn.
Repetition
Alternation
Gradation
Emphasis
employs a series of motifs patterned to relate to one another through a regular progression of steps.
Repetition
Alternation
Gradation
Emphasis
It marks the locations in a composition which most strongly draw the viewers attention.
Repetition
Alternation
Gradation
Emphasis
is the juxtaposition of opposing elements eg. opposite colors on the color wheel - red / green, blue / orange etc.
Contrast
Harmony
Dominance
Unity
in painting is the visually satisfying effect of combining similar, related elements. eg. adjacent colors on the color wheel, similar shapes etc.
Contrast
Harmony
Dominance
Unity
gives a painting interest, counteracting confusion and monotony. ________ can be applied to one or more of the elements to give emphasis
Contrast
Harmony
Dominance
Unity
is the underlying principle that summarizes all of the principles and elements of design.
Contrast
Harmony
Dominance
Unity